Visual thinking, built on experience.
I approach each image with precision and clarity, delivering results that meet the high standards of today’s commercial and editorial industries. Whether it’s fashion, beauty or still life work, I adapt to each client’s vision and ensure the retouching stays clean, purposeful, and on-brand.
There's no "one size fits all" here. I listen, observe, and adjust my work to suit each project's unique needs. I respect every artist's voice and visual language, whether it's a clean and minimalist direction, or something more conceptual and layered.
More than twelve years in, I know when to zoom in, when to step back, and when to leave something exactly as it is. My edits don't chase trends, they serve the image, the brief, and the client's voice.
I discovered photography at a young age when my grandfather taught me how to use his Nikon EM. For my 15th birthday, he gave me my first camera, a Nikon FE, and with it, I learned to shoot and develop my own film.
While studying graphic design, I was introduced to Photoshop, and the idea of shaping images digitally felt both fascinating and full of creative potential.
Today, my main focus is high-end retouching, but I also enjoy shooting product photography in the studio. I'm particularly drawn to working with small objects, creating clean compositions, and paying close attention to lighting. I aim for every image to be clear, precise, and crafted with care.
When I'm not behind the camera or in front of the screen, you can probably find me rock climbing!